Supercar Cutaway and Schematics


Supercar | Current Model | Construction Details | Brochure | Other Cutaways

   
  • Supercar
  • Created by: Shane Pickering with technical assistance from Austin Tate
  • Created in: Cinema 4D, Freehand, Photoshop

    • Details of Current Model

    Overview of Supercar Schematics MS Word .docx, PDF, PNG.
    More internal details and schematics are available MS Word .docx, PDF (original here).
    Supercar Control Plan information is available here.
    Supercar Schematics Overview and Control Plans are available MS Word .docx, PDF
    Dash details are available here with additional notes relating this to the TV shows and annuals here.

    Details of Construction of Cutaway

    Images from the construction phases of the cutaway are available here.
    High resolution images and blueprints of the Supercar 3D model used are available here.

    Supercar Brochure

    A project to produce a glossy brochure on Supercar - similar to an aircraft or car manufacturer's brochure is being considered. This could include the Supercar cutaway, blueprints, technical details and a set of "promotional" images. The following images have been suggested as candidates for inclusion in the brochure.
    There she is Mike - Supercar!
    Austin Tate, Cinema 4D    		 View from the pilot's seat
    Austin Tate, Cinema 4D    		 Roof doors open. Select vertical boost.
    Austin Tate, Cinema 4D

    Supercar - to the rescue!
    Austin Tate, Cinema 4D    		 It travels in space
    Austin Tate, Cinema 4D    		 or under the sea
    Austin Tate, Cinema 4D

    or roams the skies
    Mick Imrie, Bryce 3D    		 Valley Run
    Mateen Greenway, 3D Studio Max    		 Return to Black Rock Lab
    Austin Tate, Cinema 4D

    Carlton International Media Limited are copyright owners for Supercar. Carlton are not associated with this world wide web site. This is a fan maintained page intended to promote the shows of Gerry Anderson. Care has been taken to avoid the use of copyright images and other materials, but concerns over unsuitable use of materials, or suggestions for improvement on this page should be sent to Austin Tate a.tate@ed.ac.uk.

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